If you are not excited about the standards Panasonic is setting for itself in the micro four third series of cameras you wouldn’t be here. Panasonic came out with the GH-1 to take on Canon EOS 500 D, Nikon D 5000 and Olympus E 620. The thought and planning Panasonic had put behind the design of its Lumix GH 1 was evident in its form and function. Buoyed by the success obviously, Panasonic has announced the new GF-1 to take on the likes of Olympus EP-1.
One thing is obvious. Panasonic has to design the lens for the GF-1 based on the micro four third standard. So while the Olympus Ep-1 has the 17 mm f2.8 kit lens, the GH-1 has the LUMIX G VARIO 14 – 45 mm, f3.5 – 5.6 zoom lens and the Lumix G 20mm, f1.7, kit lenses.
Just as the noise reduction measures it had undertaken with the GH 1 Panasonic has announced more noise reduction measures with the GF 1 like isolating chromatic and luminance noises before applying noise reduction measures. You would wonder why others have not thought of it before as it is a question of isolating frequencies of noise before the reduction techniques are applied.
The HD capabilities in the GF 1 are also enhanced to 1280 x 720 at 60 fps when compared to the GH 1.
One should however, wait for the review on image quality and noise parameters. But judging by the attention to detail Panasonic had given in the design of GH 1, you can expect the same for the GF 1.
Specifications
Sensor
- 4/3 type MOS (‘Live MOS sensor’)
- 13.06 million total pixels
- 12.11 million effective pixels
• RGB (Primary) color filter array Image sizes
- 4000 x 3000 (4:3)
- 2816 x 2112 (4:3)
- 2048 x 1536 (4:3)
- 4000 x 2672 (3:2)
- 2816 x 1880 (3:2)
- 2048 x 1360 (3:2)
- 4000 x 2248 (16:9)
- 2816 x 1584 (16:9)
- 1920 x 1080 (16:9)
- 2992 x 2992 (1:1)
- 2112 x 2112 (1:1)
• 1504 x 1504 (1:1)
Aspect ratios:
- 4:3
- 3:2
- 16:9
- 1:1 File formats RAW
- RAW + JPEG Standard
- RAW + JPEG Fine
- JPEG (EXIF 2.2) – Standard
- JPEG (EXIF 2.2) – Fine Movie mode AVCHD lite (three quality levels)
- Motion JPEG
- Mono sound
- AVCDHD: 1280 x 720, 60p (sensor output is 30fps) 9-17 Mbps
• MJPEG: 320×240, 640×480, 848×480, 1280×720 (all at 30fps) Lenses
- Micro Four Thirds mount lenses
- Four Thirds mount lenses via adapter (DMW-MA1PP)
Autofocus only available with:
- Olympus Zuiko 25 F2.8 ‘Pancake’
- Olympus Zuiko Digital ED 14-42mm F3.5-5.6
- Olympus Zuiko Digital ED 40-150mm F4-5.6
- Panasonic Leica D Summilux 25mm F1.4 ASPH
- Panasonic Leica D Vario-Elmar 14-50mm F3.8-5.6 ASPH. Mega OIS
- Panasonic Leica D Vario-Elmar 14-150mm F3.5-5.6 ASPH. Mega OIS
Focus modes
- Auto Focus
- Manual focus
- Face Detection
- AF Tracking
- 23-Area-Focusing/1 Area Focusing
- Single or Continuous AF
- AF detection range: EV 0-18 (F3.5 lens, ISO 100)
- Pre AF (Quick AF/Continuous AF), AF+MF, MF Assist(5x, 10x)
AF assist lamp Yes, dedicated lamp Image stabilization None (lens only) Extended optical zoom Yes Digital zoom
Exposure modes
- Program AE
- Aperture priority AE
- Shutter priority AE
- Manual
- iAuto
- SCN
- Movie
- Custom (2)
Scene modes
- Portrait
- Soft Skin
- Creative Portrait
- Architecture
- Sports
- Peripheral Defocus
- Flower
- Food
- Objects
- Night Portrait
- Night Scenery
- Illuminations
- Baby 1,2
- Pet
- Party
• Sunset
Sensitivity
- Auto
- Intelligent ISO
- ISO 100
- ISO 200
- ISO 400
- ISO 800
- ISO 1600
• ISO 3200
Metering 144-zone multi-pattern sensing system Metering range 0 to 18 EV Metering modes
- Multiple-Weighted
- Center-Weighted
- Spot AE Lock AEL/AFL button
- With shutter release half-press AE Bracketing 3, 5 or 7 frames
• 1/3 to 2.0 EV steps Exposure steps 1/3 or 1.0 EV Exposure compensation • -3.0 to +3.0 EV
- 1/3 EV steps Shutter speed 60 -1/4000 sec
- Bulb (up to 4 mins)
- Flash X-sync 1/160 sec White balance Auto
- Daylight
- Cloudy
- Shade
- Halogen
- Flash
- Custom 1
- Custom 2
• Kelvin temp (2500 – 10000 K, 100K steps) WB fine tuning Yes (blue/amber bias, magenta/green bias) WB Bracketing
- 3 shots
- +/-1 to +/-3 in either blue/amber or magenta/green axis Color space sRGB
• Adobe RGB Image parameters • My Color mode (Expressive/Retro/Pure/Elegant/Monochrome/Dynamic Art/Silhouette/Custom)
- Film Mode (Standard / Dynamic / Nature / Smooth / Nostalgic / Vibrant)
- Saturation (5 levels)
- Contrast (5 levels)
- Sharpness (5 levels)
- Noise reduction (5 levels)
- Monochrome (Standard, Dynamic, Smooth)
- My Film (2 memories, multi film mode) Drive modes Single
- Continuous H (3 fps)
- Continuous L (2 fps) Continuous buffer 7 RAW images
- Unlimited JPEG images with a fast card Self-timer 2 sec
- 10 sec
- 10 sec, 3 images Remote release Optional DMW-RSL1 Flash Manual pop-up
- TTL auto / manual
- Guide no. 6.0 (ISO 100, m)
• Sync modes: Auto, On, Off, Red-eye reduction, Slow syncro with red-eye reduction, Slow syncro
• Flash power: Up to +/- 2EV in 1/3 EV steps Flash X-sync speed 1/160 sec External flash
• TTL Auto with FL220/FL360/FL500 (Optional) Viewfinder • Optional Electronic Viewfinder DOF preview Yes Orientation sensor Yes LCD monitor • 3.0″ Low temperature Polycrystalline TFT LCD
- 3:2 aspect ratio
- Wide viewing angle
- 460,000 dots
- 60 fps
- Approx 100% frame coverage
- Brightness (7 levels), Color (7 levels)
- Modes: Off / Auto Power LCD / Power LCD Playback functions Single
- Magnify (2 – 16x)
- Index (12 or 30 frames)
- Slideshow
- Calendar view
- Resize
- Text Stamp
- Trimming
- Aspect Conversion
- Audio Dubbing Connectivity USB 2.0 (High Speed)
- Video Out (NTSC / PAL)
- Wired remote control DMW-RSL1 (optional)
- HDMI Print compliance PictBridge
• DPOF Storage SD / SDHC / MMC Power • 1250 mAh 7.2v Lithium-Ion rechargeable battery
• Supplied charger / AC adapter Dimensions 119 mm x 71 mm x 36.3 mm (4.69 x 2.8 x 1.43 inches) Weight (camera body) Approx. 285 g (10.05 oz) Weight (inc 20mm lens, card and battery) Approx. 448 g (15.8
Press Release
PANASONIC INTRODUCES ITS LATEST LUMIX G SERIES DIGITAL CAMERA – THE LUMIX DMC-GF1
The LUMIX GF1, the world’s smallest and lightest system digital camera with built-in flash*, packs powerful DSLR and HD video capabilities into a sleek and easy-to-use compact body
Secaucus, NJ (September 2, 2009) – Today, Panasonic announced the new LUMIX DMC-GF1, the latest addition to the award-winning LUMIX G Series, which debuts as the world’s smallest and lightest system digital camera with a built-in flash*. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic’s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.
“Panasonic changed the digital camera industry with the world’s first Micro Four Thirds digital camera, the LUMIX G1 – a compact “DSLR-like” digital camera that produces exceptional image quality. Then, as we continued to raise the innovation bar, Panasonic launched the LUMIX GH1, adding full High Definition 1080p video recording with continuous auto focus,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “The new LUMIX GF1 continues the evolution and is the perfect addition to our LUMIX G Series, as its sophisticated, small body makes it easier and more convenient to carry. The GF1 is ideal for point-and-shoot consumers looking to step-up to DSLR-quality or for current DSLR users who want greater convenience without compromising performance quality or creative flexibility.”
With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.
Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects – something typically only possible with expensive professional camcorders.
The LUMIX DMC-GF1 includes the new My Color mode, which includes seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette and Custom – all which let users manually set the color, brightness and saturation levels. With the Live View function, users can see how these settings will effect the photo before they shoot, making it easier to capture the exact mood or atmosphere desired. For even more elaborate effects, users can choose from a total of nine Film modes, and set the contrast, sharpness and saturation levels for each. A custom function lets users store their favorite settings in memory. Furthermore, the exposure meter can be displayed in other shooting modes and the correlation between shutter speed and aperture is shown, with a color-coded warning that alerts users when the settings are not in the proper range.
For those users not quite comfortable with extensive manual and creative controls, the LUMIX GF1 provides a user-friendly setting that can address a beginner’s comfort level, while helping them evolve their photography skills. For instance, Panasonic’s new Scene mode, Peripheral Defocus, lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level.
Also, helping to make the LUMIX GF1 more approachable, Panasonic’s popular iA (Intelligent Auto) mode, a system of technologies that engage automatically – no setting changes needed – allows for intuitive use when shooting still or video images. While shooting video, iA activates Panasonic’s O.I.S. (Optical Image Stabilization), which helps reduce video-blurring due to handshake. In addition, Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion on it so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. For still photos, the iA system encompasses: Face Recognition (up to six faces can be registered); Auto Focus (AF) Tracking; Mega O.I.S.; Intelligent ISO; Intelligent Exposure; and Intelligent Scene Selector.
The LUMIX GF1 also comes fully-equipped with a built-in flash and a large, 3.0-inch Intelligent LCD with a wide viewing angle and a 460,000-dot resolution. The Intelligent LCD offers automatic backlight control, which when combined with its high-resolution, helps improve visibility in all light environments – from sunny outdoors to low-light interior settings. New for the LUMIX G Series, the LUMIX GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the attached lens. To further expand the LUMIX G Series system, Panasonic Micro Four Thirds digital cameras can be used with Four Thirds System interchangeable lenses via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R lenses using Panasonic’s DMW-MA2M DMW-MA3R. These adapters give the user access to the unlimited number of lens properties.
The LUMIX GF1′s sensor technology offers the best of both worlds – the superior image quality of a CCD sensor, and the low-power consumption of a CMOS sensor. Advanced technology makes it possible to read four channels of data simultaneously, helping the LUMIX GF1 deliver 60 frames-per-second full-time Live View images, while maintaining fine detail and rich gradation. The LUMIX GF1′s Venus Engine HD records stunning high-resolution 12-megapixel images using its advanced Live MOS Sensor. This sophisticated LSI circuit separates chromatic noise from luminance noise and applies the optimal noise reduction to each, helping to capture clear and beautiful images even when shooting at high ISO levels.
The contrast AF system adopted in the LUMIX GF1 is not only accurate, but also very quick – approximately 0.3 seconds with the LUMIX G H-FS014045 lens. Users can choose from a wide-range of AF modes, including multiple-area AF with up to 23 focus areas; 1-area AF with a selectable focus area; Face Detection; and AF Tracking. The LUMIX GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera – without pressing the shutter button halfway.
As with all Panasonic LUMIX G Series digital cameras, the LUMIX GF1 is equipped with a highly-effective Dust Reduction system. Thus, if dust gets inside the camera (when changing lenses), Panasonic’s Dust Reduction system addresses this problem by placing a supersonic wave filter in front of the Live MOS sensor which vertically vibrates around 50,000 times per second, thus repelling the dust.
The content captured on the LUMIX GF1 can easily be viewed on a Panasonic VIERA® HDTV by simply inserting the SD/SDCH Memory Card into the VIERA’s SD/SDHC Memory Card slot or into a Panasonic DIGA Blu-ray Disc Player. Alternatively, an optional mini HDMI cable can be used to output still and motion images recorded with the LUMIX DMC-GF1 directly to the TV for easy VIERA LinkTM operation, with control of playback functions, such as slideshows, managed from the VIERA HDTV’s remote control.
The Panasonic LUMIX DMC-GF1 will be available in early October 2009 with the option of two kits – both with a suggested retail price (SRP) of $899.95. One kit option includes the newly-announced LUMIX G 20mm/F1.7 ASPH, a compact and lightweight “pancake” lens, while the other kit features the LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. The optional Live View Finder DMW-LVF1 has an SRP of $199.95; while the DMW-MA2M and DMW-MA3R both have an SRP of $249.95. All new accessories will also be available in early October.
Link
www.panasonic.com
the coming Samsung cameras. The S70 comes with the same Image Stabilisation as the S640 and has all the scene modes of S570 including the automatic scene selection by the camera.
appears to have been designed for outdoor photographs. It has the EXPEED processor and has 16 scene modes that includes portrait mode and night portrait mode. Compared to the S230 the S570 also seems to have designed for night land scape. You can always check out on the performance of the S570 in low light conditions once the reviews are out. While the S640 is packed with image stabilization features the S570 seems to have electronic VR, Vibration Reduction meaning the lens may not be optically stabilized.
mind I will lay them out for you and not necessarily in their order of importance
performance at higher resolutions.
one that has the best focus. The other two include shooting at High ISO with fast shutter speed and detecting motion and compensating for ISO and shutter Speed and camera shake.
compacts, only it makes it automatic. Then for portraits there are features like detecting a smile and correcting for blink, automatically detecting up to 12 faces for AF and refocusing on a moving subject especially tracking children, if he goes out of the camera range and comes back with in 3 seconds.